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Audio Post-Production in Your Project Studio, by Casey Kim
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Whether you are producing an audio CD, a multimedia application, a movie, or a television program, there are many stages of production that you need to consider before your project is complete and sounds professional. The audio post-production process formerly required huge audio post-production facilities with massive film and/or video synchronizing machines and other expensive hardware. These days, professional audio post-production can be done using inexpensive hardware and software inside a home or project studio. Audio Post-Production in Your Project Studio teaches you how to deliver professional-quality audio post-production projects using these readily available tools. Topics of discussion include editing, software effects, mixing, monitoring, software mastering, running a successful project studio, and much more. Instruction is presented using a non-software-specific approach--the techniques discussed are applicable to any Digital Audio Workstation you choose. Whether you're an experienced musician just getting into post-production, a first-time project studio operator, or a hobbyist curious to learn more information, you'll find all the insights and knowledge you need to make your recordings sound professional.
- Sales Rank: #2659979 in Books
- Brand: Thomson Technologies
- Model: 331907
- Published on: 2007-12-14
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 7.50" w x 1.00" l, 2.00 pounds
- Binding: Paperback
- 464 pages
- Author: Casey Kim
- Series: book
- Publisher: ArtistPro
- Medium: softcover
- 9" long x 7" wide
Review
Introduction PART I AUDIO EDITING FOR PROJECT STUDIOS Chapter 1 Stretch Me, Tune Me, Bounce Me... Chapter 2 Tools for Digital Audio Editing Chapter 3 Software-Based Editing Techniques PART II MIXING AND MONITORING IN THE PROJECT SUDIO Chapter 4 Don't Console Me Chapter 5 Software Tools for Digital Mixing Chapter 6 Different Types of Mixing Chapter 7 Organizing Your Digital Workspace Chapter 8 Mixing Techniques Chapter 9 Three Sides to Every Story: Monitoring in the Project Studio PART III EFFECTS FOR DIGITAL AUDIO POST-PRODUCTION Chapter 10 Rack in a Box Chapter 11 Software Tools for Effects Chapter 12 Software Effect Techniques for Post-Production PART IV MASTERING IN THE PROJECT STUDIO Chapter 13 Mastering Audio in the Digital Age Chapter 14 Software Tools for Mastering Chapter 15 Mastering Techniques for the Project Studio PART V PROJECT STUDIO BUSINESS Chapter 16 Operating Your Project Studio Chapter 17 Resources Index
About the Author
Casey Kim has more than 10 years of experience as a digital audio engineer, composer, sound designer, musician, and DJ. From original sound and music creation to remastering "classic" audio, she has produced and worked on countless projects within film, television, gaming, web, and interactive industries. Currently, Casey focuses her attention on comprehensive digital media creation and content development using a synthesis of audio, video, animation, and graphic design to deliver complete conceptual media experiences.
Most helpful customer reviews
0 of 0 people found the following review helpful.
It's been great for me to read and really get a feel ...
By Thomas Williams
This book is absolutely phenomenal for anyone looking at doing Audio. It's been great for me to read and really get a feel for some of the different things to look for when recording and mixing and pretty much any part of the process.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Perfect...I can't say it's used...it's new...thank you
3 of 3 people found the following review helpful.
This Book Saved My Life
By R. Welch
Ok, maybe "Saved my life" is an exaggeration, but I learned so much from this book. If you're even remotely interested in home recording do yourself a favor and buy this one.
Ok, you've written the perfect song. You've spent countless hours learning your recording software, and an additional amount of countless hours recording. No matter how good the song is, if it's mixed poorly it's going to stink.
How should I pan the lead vocal track? What EQ setting should I use for the keyboard? How much and what type of reverb will bring out the snare drum? How do I get rid of that little *POP* at the end of the second verse? This book answers all these and more, including a section understanding different types of agreements with production companies that you might encounter if you're doing professional work.
Casey Kim does a masterful job of conveying her experience in a useful and understandable way. From your first home recording to your job at a large Hollywood studio, this book will become the bible for any serious recording engineer.
I give it two thumbs up. Way to go Casey!
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